V. Ruiz is a Lesbian, Mexican American agent, editor, and author, who aspires to make publishing more equitable by working as an advocate for their authors. With nearly ten years of editing experience across literary and commercial genres, they consider themselves an editorial and career agent. V. wants to work with authors who are eager to work on multiple projects and who are open to editorial guidance and feedback. Recently, they worked as an acquisitions editor and project manager with Row House Publishing (distributed by Simon and Schuster) for over three years. V. is always eager to hear from voices who have been systemically underrepresented in publishing.
They have worked on over 25 titles as an editor. Aside from editing, they have previously ghostwritten nonfiction and fiction titles (over 15) in topics ranging from finance to small town romance.
When V. isn’t writing or reading, they are studying astrology, playing video games, or trekking across the world to scream their heart out at a concert.
For fantasy, I enjoy magical worlds that tackle difficult subjects or incorporate some
elements of our history/mythologies. While I do enjoy the occasional romantasy, I’m a better fit for romantic fantasy (where the romance is more of a subplot).
Some favorites: Babel by RF Kuang, Ring Shout by P. Djèlí Clark, or Gods of Jade and Shadow by Silvia Moreno-Garcia.
I adore tropey romance with witty banter and feet-kicking tension. I don’t mind heavy heat but don’t require it. I also enjoy romance that incorporates speculative elements or that walks the line of magical realism and low-fantasy. I’m generally not interested in stories that incorporate real-life armed forces in any capacity (no military, police, etc. romance). I’m only interested in historical romance that features Queer characters.
Some favorite writers in this space: Ali Hazelwood, Ashley Herring Blake, Danica Nava, Kennedy Ryan.
With thrillers, I especially enjoy stories where women play the villain. I prefer ones that don’t have sexual violence as a core element. Like with romance, I enjoy thrillers that incorporate genre or speculative elements.I’m open to horror that is more suspenseful or psychological in nature.
Some favorites in this space: The Eyes are the Best Part by Monika Kim, folk horror such as CG Drew’s works, and Lisa Jewell.
For Upmarket Fiction, I enjoy books that’ll shatter the heart with poetic language. I also enjoy stories that experiment with form and/or tell stories in a nonlinear way. I’m open to being surprised in this genre.
Some favorites in this space: The Song of Achilles by Madeline Miller, Red at the Bone by Jaqueline Woodson. Daisy Jones and the Six by Taylor Jenkins Reid.
I'm interested in accessible and engaging science fiction especially if there are strong romance elements, if it's on the shorter side, or if it's more literary in nature.
Some favorites in this space: All Systems Red by Martha Wells, The Principle Moments by Esmie Jikiemi-Pearson, and This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
I’m a huge fan of “weird girl lit” and/or stories that share insight into complex people at the center of a breaking point but told with a variety of genre elements.
Some favorites in this space: Otessa Moshfegh or Sayaka Murata. The classic I Who Have Never Known Men.
I'm open to seeing proposals for esoteric and spiritual topics. I prefer those that have a decolonized approach, are linked to ancestral practices, or make topics accessible. Keep in mind I have a background in folk practices and astrology.
As a foodie who has many food allergies (so I'm always cooking) and a huge collection of cookbooks I'm open to repesenting cookbook authors. I prefer those that share cultural recipes, have a unique approach to an already done topic, or those that are linked to other popculture topics.
I'm very particular about memoir as I have to have a very clear vision for it. I'm open to those that are fragmented or cohesive. I prefer those that connect to a larger topic/idea.
Some favorites: I'm Glad My Mom Died by Jennette McCurdy, In the Dream House by Carmen Maria Machado, and Maid by Stephanie Land.
Please only send submissions through Query Tracker. For fiction, you’ll be asked to include a query letter and the first twenty pages of your book. For nonfiction, you’ll be asked to include the full proposal.
Learn more about the agency I work with or send a query through my query tracker.